‘The Invisible Theatre’, 2025
Series of drawings made during a residency at Joya: Arte +Ecologia/Air Residency in Andalousia in February 2024.
Brown ink in natural paper 14cmx21cm.
Lately I carried on my obsession for what happens under our feet, what we too often see as dirt. But this discarded layer is actually the gold of our civilization, and we depend 100% on it, with food and oxygen being the most obvious examples. I love to squat and observe what is happening. If you have a microscope, it's Regent Street on a Friday before Christmas—every second, every day and night. All these lovely creatures are moving and transforming minerals and organic matter to make this gold—soil. I admire them so much that I created a whole new body of work about this restless micro-world which i love above all.
Series of drawings made during a residency at Joya: Arte +Ecologia/Air Residency in Andalousia in February 2024.
Brown ink in natural paper 14cmx21cm.
Lately I carried on my obsession for what happens under our feet, what we too often see as dirt. But this discarded layer is actually the gold of our civilization, and we depend 100% on it, with food and oxygen being the most obvious examples. I love to squat and observe what is happening. If you have a microscope, it's Regent Street on a Friday before Christmas—every second, every day and night. All these lovely creatures are moving and transforming minerals and organic matter to make this gold—soil. I admire them so much that I created a whole new body of work about this restless micro-world which i love above all.
‘Erosion’, 2025
Series of photographs made in the Natural Park of Sierra María - Los Vélez in Andalusia at Joya:Arte+Ecologia residency.
Sculpture, glazed porcelain eyes .
Series of photographs made in the Natural Park of Sierra María - Los Vélez in Andalusia at Joya:Arte+Ecologia residency.
Sculpture, glazed porcelain eyes .
